To witness the start of a star is a scarce issue—but in 2021, we witnessed two. It was just each week into January that Olivia Rodrigo’s “motorists license” arrived, a debut single so speedy and so relatable that it speedily became a pop cultural landmark, a Music in the Year-stage statement that felt just like a confirmation: Below was a s

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’s soundtrack mirrors the arrested enhancement of its protagonists, as though Craig’s fictional assortment of recent G-Funk and gangsta rap classics (Ice Cube’s “Friday,” Dr. Dre’s “Retain Their Heads Ringin’”) sits one rung below his father Willie’s funk and soul vinyls. Occasionally the soundtrack marries the two periods—muc